Gavin Smyth is City Marketing Manager for Invest Glasgow, the Investment Promotions Agency for the City Region based out of Glasgow City Council. His primary role is to engage with →

Born Edinburgh, 1980, Kate V Robertson works in print, sculpture and installation. Kate graduated from Fine Art Photography in 2003 and the Masters of Fine Art in 2009, both at →

Agnes Kener, MSc Heritage Visualisation. The Library Cave Opens is a short video game-like experience about Hungarian-British explorer and archaeologist Aurel Stein’s stay at the Caves of the Thousand Buddhas →

Elizabeth Robertson, MSc Heritage Visualisation. A preview of the interactive prototype. The model of Fingal’s cave was created by Shona Noble as part of previous work with the HARPS project. →

A Stage 5 Study of Glasgow, Mackintosh School of Architecture. WHAT DOES ETHICS MEAN FOR GLASGOW? This is the question the students of Stage 5 have posed, conducting urban investigations →

Nina Klaff, MDes in Graphics/​Illustration/​Photography A found footage film. Composed of videos stored in my phone library of skin-to-skin contact in the time before social distancing and Covid-19 and interviews with →

Sophia Gruber, MDes in Graphics/​Illustration/​Photography For the film “Mektub” I followed the animal welfare organisation “Ims’one Project” based in Morocco who seek to vaccinate, sterilize, tag and release street dogs →

Sara Bakalchuk: MSc Medical Visualisation and Human Anatomy. Application created for Terumo Aortic to showcase the main features of the Relay proximal scalloped stent graft, geared towards clinicians.

Sam Welch, MDes Sound for the Moving Image. We wither, wallow, wait and ward off this unshakable evolutionary response. Panic is silence. Panic is crowding, a bustling cornucopia of responses →

Christian Popa, MDes in Sound for the Moving Image. Violin played by Javier Claudio Martinez Final Mix- Sam Welch