This programme enables students to explore and develop their creative practice through the medium of sound design and music composition/production for the moving image. The emphasis of the programme rationale is the interplay between creative practices underpinned by theoretical research and mediated through the craft elements of sound production within a visual environment. This practice of sound production is applied to film, animation, television, virtual reality, new media, electronic games and sound art.
Students also engage with the theoretical and historical framework of sound for the moving image thus facilitating the ability to contextualise their own work within this framework.
The programme promotes production of original work, through individual or group-based research, that is conceptually-driven, aesthetically challenging and wide-ranging in its use of sound design and music production/composition.
Sam Welch, MDes Sound for the Moving Image. We wither, wallow, wait and ward off this unshakable evolutionary response. Panic is silence. Panic is crowding, a bustling cornucopia of responses →
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