My initial motivation is from the multicultural phenomenon driven by immigration. Although many communities are diverse in their population components, the space of the community still retains the independence of a certain cultural phenomenon, rather than the integration of various cultures. This gives me more expectation about the multicultural community space. Specifically, I chose the multicultural community in Guangzhou as my research background, the target group are mainly the local Cantonese and Nigerian.
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Collage of buildings in Lagos (Nigeria) and Guangzhou (China)
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Elements composition
For the further design, I made a series of models which deconstruct the cultural symbols and it’s a catalogue of artefacts extracted from Nigerian/African and local Cantonese/Chinese culture, they are recreated as architectural elements of the project.
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Redefining the community
The theory I used in this project is about the 'Event Space' proposed by Tschumi. I hope to be able to explore larger aspects from a broader perspective, through describing a narrative and exaggerated multicultural community through overall planning, so as to express a vision of cultural coexistence.
The community is planned as a whole in the composition form of points, lines and planes, and the long corridor runs through the community, connecting various areas, and creating multi-centre and multi-directional layout. Five event spaces are dispersed in the community in the form of points, therefore to encouraging people's engagement and activate the community.
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I would like to design a community that is different from the traditional sense. In this fantasy complex community, there are shops, restaurants, food street, residences, social spaces, performance space, activity space, etc.
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Topic: Creating a vision of multicultural coexistence in community.
This research project aims to propose a hypothesis about the community designed for people with different cultural backgrounds. By creating a narrative and exaggerated multicultural community through overall planning, to explore larger aspects from a broader perspective, in order to stimulate a diversity of thought in community identity. The purpose is to provide a new perspective and strategy for the integration of multi-cultural communities. It’s more like a metaphor of the cultural coexistence. Moreover, this approach can open up discussions about multicultural communities and trigger new questions in areas like interior design theory, and apply to any other cultural communities.
Supervisor: Thomai Pnevmonidou
Mengqing Wu is a Spatial Designer who was graduated from Decoration Design in Guangzhou Academy of Fine Arts(China) before obtaining in Master of Interior Design in Glasgow School of Art. She has studied in many art-related fields and has been extensively exposed to sectors of spatial design such as installation and artwork, giving her a different perspective of architecture and interior design. As an amateur photographer, she focuses on the composition of geometric elements as well as light and shadow and its relationship with architecture. During the master study, she is keen on exploring the relationship between culture and architectural space based on the context of the social issue.
My initial motivation is from the multicultural phenomenon driven by immigration. Although many communities are diverse in their population components, the space of the community still retains the independence of a certain cultural phenomenon, rather than the integration of various cultures. This gives me more expectation about the multicultural community space. Specifically, I chose the multicultural community in Guangzhou as my research background, the target group are mainly the local Cantonese and Nigerian.
For the further design, I made a series of models which deconstruct the cultural symbols and it’s a catalogue of artefacts extracted from Nigerian/African and local Cantonese/Chinese culture, they are recreated as architectural elements of the project.
The theory I used in this project is about the 'Event Space' proposed by Tschumi. I hope to be able to explore larger aspects from a broader perspective, through describing a narrative and exaggerated multicultural community through overall planning, so as to express a vision of cultural coexistence.
The community is planned as a whole in the composition form of points, lines and planes, and the long corridor runs through the community, connecting various areas, and creating multi-centre and multi-directional layout. Five event spaces are dispersed in the community in the form of points, therefore to encouraging people's engagement and activate the community.
I would like to design a community that is different from the traditional sense. In this fantasy complex community, there are shops, restaurants, food street, residences, social spaces, performance space, activity space, etc.